## SHADINGWhen an object is farther away from the viewer, the object should appear less/more bright. To accomplish this, a shading effect is needed. But first, we need to know about how colors are represented. The standard 256 color VGA mode registers contains three numbers between 0 to 63 for every color in the palette which are called the RGB (RedGreenBlue) values. For example, full red color has RGB components of (63,0,0); full green has (0,63,0); and full blue has (0,0,63). Color such as full yellow, can be obtained by mixing full red and full green so that (63,63,0) is yellow. To change the brightness of the red, green, or blue component of a color, the number representing the color component must be increased or decreased. For instance, to decrease the intensity of a color that have an RGB components (50,10,10) by one half, multiply each component by 0.5. The resulting color will be (25,5,5). This is quite simple, but how do we know what intensity to use on what distance? The first option is to use an exact light intensity formula which goes something like this:
From a game programmer perspective, this formula is too complicated
and will be terribly slow, so we are not going to even bother with it.
Our main goal will be to make a shading effect that (Side note.: For Hence, the following formula is used instead (Lampton 406).
Here,
Ray-casting process lends itself nicely here because when we cast a ray, we also obtain the distance to the object to be rendered. In an actual implementation, we need to take into account also the number of available colors. Since most games can only use 256 colors, some acrobatics will be needed to make sure that the palette contains the correct color range. A possible solution for this is to use a color matching algorithm and map the result into an intensity table. When rendering, we simply fetch the correct color value from the appropriate table. (This is quite fast because a particular wall slice will have the same intensity for all of its pixels. So we only have to switch table between wall slices.)
Normally, as the intensity of an object approaches zero, the object will appear darker. However, this does not have to be always the case. We can create in interesting effect, such as fog or underwater effect by altering the "target color." For instance, to create a fog effect, we can make the palette converges to white. |
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